Thursday, 24 May 2012

BACK TO BLACK EYED SUSAN, 'the complete series'


BACK TO BLACK EYED SUSAN, 'the complete series'
Paintings by C.A.HALPIN with Music by MAT DUCASSE showing at ART@42 42 Pembridge Road, Notting Hill, W11 3HN.

 The paintings will be exhibited as a complete series for the first time ever, "raw as a toothache and sweet as psychosis. These acrylic ink imaginings tell the fairy tale of a once upon a bright moment caught in the flashbulb memories.  Stories overheard from the middle of the night, tales to make the neighbours hammer on the ceiling. Smartie hued times, talking in technicolour love. Lingering and lost in the magic markered rememberings of a bleary bug eyed morning".

The BLACK EYED SUSAN series continues a long established way of working by C.A.HALPIN that is based on found words, images and notes.  This particular series uses personal letters, intimate and erotic drawings, notes and images made by her then lover MAT DUCASSE. ‘DO NOT BELIEVE THEM’ was a painting started by Mat Ducasse, which he had abandoned and was consequently taken up by the artist to finish and become the initial BLACK EYED SUSAN painting. Other paintings including BLACK EYED SUSAN ‘Part One’ and BLACK EYED SUSAN Part Three’ were begun and worked on together and then finished by C.A.Halpin. They chart the history of a relationship through to the end of the affair.  The written messages and images contained within the paintings are layered over and turned around until they become abstracted, distorted almost impossible to read.  Several of the paintings, once begun in unison, are worked on by C.A.HALPIN as she turns the canvas until the images have no top or bottom, the viewer being guided only by the forms that emerge as they are painted.

In the 2010 BLACK EYED SUSAN triptych C.A.Halpin takes the viewer on a journey, through the space of a heartbeat.  At times the eye is led to the centre of the canvas, being enveloped and devoured by the rushing lines and floating forms, hints of words seize our gaze.   At other times as in PLATFORM 2011 the amoebic forms drift past morphing with time into other shapes thoughts and ideas as they meander on by. Are we passing through the chambers of her heart or messing about with the business end of a rotooscope? Is there sound in there? Can we hear the music of the lovers as they enter the in-between? In ‘RING’2011 the largest of the series we witness an explosion of heat and colour, mashed up words dashing around begging to be read perhaps understood or not to be bothered.

This achingly psychedelic series is based deep in the moment in between, wakefulness and sleep, here and now, male and female, man and woman. The always been here and gone before.  Bubbles that burst on waking, dreams that drift away.

The fact that this is a complete series with neither a beginning nor an end is important. Instead these are moments captured using repeated forms.  Sometimes they act to disguise the meaning and at others burst with clarity.  C.A.Halpin admits that they can be seen to have a cathartic element.  The paintings abandon any right way up. Leaving the truths of each to make it’s way into the art of being in between.

MAT DUCASSE has written NORMAL CONSCIOUSNESS to accompany the BLACK EYED SUSAN series. He is an artist, musician and music producer.  He and C.A.HALPIN work on collaborative projects as BLACK EYED SUSAN.








Tuesday, 17 April 2012

BOX A Group Show







So there you have it, all BOXed off and up for sale.  THE OUTSIDE WORLD is proud to have as its penultimate show at Redchurch Street 'BOX'.  This is a group show that celebrates thinking inside the BOX, thinking with cut out words, teeny tiny fairy lights, dolls and demons, guns'n'...etc. Badges buttons, sewing kits. Collections of all sorts of collective everythings.








Kate Iles- Cat Box
kevin Beaney
Dallas & Angel - Two Heads (Selves).
 Fuji Crystal Archive Print.
 The DnA Factory. 2010.


Penny Hobson- Ahoy
Peter Quinell-New Lucky Wishbones
martin ridgwell - Pride
Hand Cut Paper


Ivan Bellew - The Baggage 

Jackie Attwood














Thursday, 12 April 2012

JStreetStyle JStreetStyle A Photographic Exhibition by Pat Lyttle

JStreetStyle APhotographic Exhibition by Pat Lyttle opens this evening 12th April and runs until Sunday 15th April.  There is a book JAPANESE STREET STYLE to accompany the show.www.jstreetstyle.com














His work offers us spoonful of the Japanese street style trifle in the run up to THE END OF THE OUTSIDE WORLD AS WE KNOW IT series of shows and events.

Fashion photographer, Pat Lyttle documents the lives of the Sweet and Gothic Lolitas all sugar pink candy bundles of fluff and fancy. The Decora Girls who jingle as they jangle, dressed to the nine and a halves. The controversial Ganguro Girls whose darkened skin and bleached hair explores a grotesque vision based on an ancient Japanese folk tale of abduction by wolves.  His photographs are taken mainly Tokyo, Osaka and London.


Pat Lyttle states of his work


'Your style is what defines you. Not what you're told to wear but who you are and how you feel and it's this that defines your unique sense of style and how you chose to display it.'

http://jstreetstyle.blogspot.com/

Thursday, 29 March 2012

THE FREE SHIT CEE-LO SHOW, MONEY NEVER SLEEPS

THE FREE SHIT CEE-LO SHOW, MONEY NEVER SLEEPS
30th MARCH 2012 12-9p.m.


FREE SHIT...SPUN OUT from a group unknown artists, the unseen, the not to be bought, sold out or seen through.  Who knows what will hit the fan. Stand back and watch out as the sh*t provides the proverbial release.  MONEY NEVER SLEEPS even when taste nods off. SWING HI, CEE LO, GET DOWN COME ROUND, GET IN AS THE OUTSIDE WORLD SPINS ON ITS AXIS...THERE WILL BE BOOZE


'ALL THAT GLISTERS', ANNA ROOTES


ALL THAT GLISTERS
31st MARCH-1st APRIL 2012
THE OUTSIDE WORLD



Rootes and Culture

Anna Rootes is a largely self taught artist, one of those rare birds who flies in the face of convention developing her own style that incorporates many different media.   Rootes takes as a starting point the iconography of contemporary youth culture.  By mixing her media and well as her metaphors Anna Rootes begins an exciting journey from reality to fantasy, bypassing the mundane.  She approaches the canvas with gay abandon and certain excess ‘dressing it up’, as she says.

She cites as influences ‘a variety of contemporary and vintage imagery and from the artistic genres of pop art and fashion illustration.’     By the use of the logo and it’s consequent notions of status, Rootes isolates iconic images. Then removes them from their original context and replaces them in a sometimes jarring, playful yet almost sinister setting.

Anna Rootes on her work:

I am fascinated by the interplay of art and therapy (looking ultimately to train as an Art Psychotherapist).  This relationship both naturally and methodically influences a lot of my work.  A central theme throughout my work is escapism, achieved through the juxtaposition of reality and fantasy.  Birds appear frequently in my work, an animal with no bounds, as being a medium through which human aspirations can be released.  My approach to work is generally freestyle, with no set plan; the final products appear as an evolution of thoughts and narrative. The compositions of my work are highly sophisticated.

C.A.Halpin 2012





CHARLES OF LONDON COCK UP SHOP: LAST DAY

CHARLES OF LONDON COCK UP SHOP: LAST DAY

CHARLES OF LONDON
Opened Today
44 Redchurch Street (07814 430 852). 
You may run into several people in the changing-room...THE OUTSIDE WORLD says many of its East End customers are buying the head-to-toe CHARLES OF LONDON look. 




To misquote The Telegraphwww.charlesoflondon.com

Monday, 19 March 2012

Rushes & Brushes

Paintings, drawings, sculptures and films by the dynamic duo from Damage and Disgrace.


Basarab and Hopkinson pop up at the Outside World to briefly spill their guts.Basarab has picked a selection of his paintings that employ text: vague tabloid headlines constructed to meticulous subbing rules; alphabetized pie-charts suggesting unlikely connections; mocking Venn diagrams and an errant polling station sign.Hopkinson sets out his unsettling 'oily lampoons', wounded class stereotypes with their origins animated; human rabbits that give up the Easter-egg Hunt for something else and twisted twee takes on ice-creams vans and hooliganism.


Show: Fri 23 March: 11am-6pm
Private view: Thurs 22 March 6-9pm






Wednesday, 14 March 2012

Hang - A Group Exhibition


HANG – A GROUP EXHIBITION
16th 21st March 2012


HANG comprises a group of London based artists, at different stages in their careers showing together for the first time.  Although the media used throughout the show including painting, photography, sculpture and even paintings that are indeed sculptures, may be diverse the theme is made cohesive through the simple device ‘HANG’.

Since her successful first solo show ‘Blue / Grey’ at The Outside World earlier this year Laura Fishman has made further explorations into the sculptural aspects of the material that is paint. Fishman pours, drips and teases out the plastic potential of the paint itself. The skins hung out to dry like the carcass of some visceral being. Their very form wrenched from the bones of the canvas and stretcher.  

Mathew Tudor’s paintings tell of other dark secrets, of thoughts half remembered. Certain shadows, glimpsed from the corner of a sleepy eye.  Tudor’s paintings are built up by transparent layers whose counterpoint is the deeply ingrained brushwork.  Bringing forth memories evoking past emotions of events that may have been.
The inspiration for Christina Pittarides work is the found, whether an object or a ritual. These are then transposed from the mundane and discarded to icons of commercial culture.  For HANG, Pittardes has chosen imagery symbolic of New York gang culture. In these paintings we see the shoes of drug dealers and drug users dead or alive singing their song as sweetly as a bird on a wire.

Madeline Fishman draws, in many different forms, using a blend of photography, line and sewn sculptured forms.  The loose threads HANG from the canvas leading the viewer to contemplate at certain times the random forms created when each piece is hung.

Imagine ripping the pages out of your childhood encyclopedia and remaking each body part for your own museum of found things that never were.  That is Julia Maddison with her paper heart throbbing as it is pierced by a multitude of screws and nails all trussed up, enclosed in a corset of wire, hung up for all to see.

Bernice Wilson starts with her face, herself and thus the greater sense of self-recognition.  For HANG she explores the notion of Prosopagnosia, or face blindness.  Through a series of twelve paintings all identical in size she deconstructs her own face and re-presents it to the viewer as a confused map of essential parts that form her own identity.

C.A.Halpin 2012
www.theoutsideworld.co.uk

Thursday, 8 March 2012

Tim Silversides - Limbo

Tim Silversides new show LIMBO 5th-11th April
THE OUTSIDE WORLD, 44 REDCHURCH STREET E2 7DP
www.timsilversides.com
Tim Silversides paints from his guts, forcing onto the viewer a rebellious, anti peristaltic spew of paint and emotions on canvas. The CELL series is an exploration in oil of the innermost corners of the mind, a vision of the self, expressed or hidden from the world.  He uses the personal and then transposes it to the universal through his fascination with emotion and rebellion, the human condition exposed. Much of the inspiration for CELL comes from Silversides experience of working in a care home for the elderly, which led quest for to a deeper understanding of the human condition.












Thursday, 1 March 2012

East West Gallery, Paintings by Cathy Fenwick





Private View Thursday 1st March 6pm -9pm.
2nd March - 7th March 12-6pm.

East West Gallery, based in Notting Hill West London, is paying a visit to the East End, bringing the work of painter Cathy Fenwick.  Cathy Fenwick studied sculpture at the Royal Academy Schools 1980-83 tutored by sculptor Bryan Kneale.  She won a Henry Moore Fellowship in 1982 and the Landseer Prize in 1983.  Fenwick exhibited with the Treadwell Gallery 1983-91, including ‘La Groupe Show’, of women artists in 1983. Cathy Fenwick has shown at East West Gallery since 1992 to date. The East West Gallery was established in 1990 is run by Jill Morgan it shows mainly contemporary, figurative works.
Woman Trying To Get Up
Oil On Canvas
80x100cms



Embrace No.64
Oil on Canvas
127x101 cms






For more information: Jill Morgan website


East West Gallery, 214 Kensington Park Road, W11 1NR