Monday, 28 March 2011
The Outside World would like to publicly state that by reproducing five images of each artist's work from the ...SHE SAID exhibition was meant in a spirit of good will. The images were meant as an aid in promoting the artists, not as postcards or to be sold. Artists were asked before the show whether they agreed to having their work produced although one artist who had not contacted the gallery directly had her work reproduced without her permission. She now feels that her work is under threat due to breach of copyright. I have been asked to remove all traces of her work from the website and from the blog. This has been done. The Outside World regrets any infringement that this artists may feel has occurred and wishes her luck in her future career.
Monday, 7 March 2011
... SHE SAID

We now have over thirty artists showing a very wide variety of work at the ...SHE SAID show which opens this Thursday 10th March at The Outside World. The show celebrates the joy of text, a show about communication, clarification and coming up trumps. Come to the opening on Thursday from 6 - 8.30, or over the weekend until the 13th March 12 - 6 p.m.
Saturday, 5 March 2011
Hedge Script by Zachary Beer
Zachary Beer's show is going great guns, his small but perfectly formed oil paintings that explore the significance of the hedge social, political and historical. He sees in the hedge a form of natural calligraphy and through his paintings traces the intricate and infinite patterns that these tracings provide. I have included here images of the works sold so far. If you would like to see the rest of the work the show is up until Tuesday 9th March and from then will be featured on The Outside World website.
Wednesday, 2 March 2011
HEDGE SCRIPT by ZACHARY BEER

Hedge Script, the new show by Zach Beer opens tomorrow evening 6 - 9p.m. at The Outside World, 44 Redchurch Street, London E2 7DP. Runs until Tuesday 8th March 12 - 6 p.m. or by appointment.
“Whoso breaketh a hedge, a serpent shall bite him”
A hedge can be the product of a structure set in motion a thousand or more years ago. A network of nature, a political barrier on fertile land, a corridor for wildlife, a folkloric path for witches; life teems, twists one against the other, the ages are marked by the addition of new species.
Zachary Beer treats these forms as a natural calligraphy demarking the land, creating paintings that explore these intricate patterns, complex structures and synecdoche.
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